I create giant, stylized animals from ceramics as a response to my Japanese background. With these sculptures, I generate what represents my idea of cute. Much of the inspiration behind the style in which the animals are constructed comes from kawaii culture and yuru-chara, which is known for their unsophisticated, lovable designs, often linked to Japan’s traditional animistic beliefs and folklore. The creatures I create are often put in human-esque situations that create a more personable relationship with the viewer. Frequently very comical, playful, and lighthearted scenarios, it provides an approachable space and a feeling for escapism. The setting acts as a personal healing environment; a moment of peace where the viewer is so graciously greeted by these sweet critters who are enjoying their simple livelihood.  

I handbuild my sculptures emphasizing the mark of the hand and fingertips, exposing the vulnerability of the process, much like the texture of graphite on a drawing. Through displaying the imperfections, it creates a more intimate environment. It invites the viewer into a sanctuary centered around the whimsical symphony of cuteness and humor.  

Although not primarily accepted in sophisticated spaces, I play upon the notion: what deems a piece as eligible for a refined gallery? Is there a line drawn between cute and cultured? Is there capacity for a space surrounding innocent joy? My desire is to oppose the narrative of elitism in such spaces, that these absurdly charming creatures can spark a certain type of childlike glee within the viewer.  

Combining elements from my cultural background to create a haven centered around cuteness, I continue to unapologetically create pieces unwavering to fit the narrative of elitist spaces, focusing on optimism and joy, and continue to navigate the art world through the lens of my own.